Tag Archives: Toronto New School of Writing

How will you re-invent the sonnet?

One week left to enroll in my Sonnet Workshop at the Toronto New School of Writing. Click here to view course details on the TNSoW website.

And don’t worry, if you don’t want to write traditional sonnets, we’ll also

conceptualize
fantasize
destabilize
plagiarize
sexualize (un-bowdlerize)
Hooverize
Berriganize
zero-ize
parodize
phoneticize
blasonize (& anti-blasonize)
weave
cleave
deceive
pre-conceive
mis-conceive
beat
cheat
retreat (don’t tase me, Bard!)
boff
doff
scoff
dash off
fend off
bugger off
mace
erase
debase
disgrace
replace
deep space
upper case (or any case)

. . . and if you like, embrace

the sonnet (or what’s left of it)

Duration: 21 February – 27 March 2012 (6 Tuesdays) 6-8 PM
Location: Of Swallows, 283 College Street, Upper Floor Seminar Room

Click here for more information about the course and instructor bio at the TNSoW website.


Camille Martin

The sexy “little song”: Sonnet Workshop by Camille Martin

How did the sonnet get from Petrarch to Bervin?



How will you re-invent the sonnet?

Find out in my six-week workshop/class on the sonnet at the Toronto New School of Writing. I taught this course last year and was blown away by the class discussions and the poetry written by the participants.

Click here to view the course on the TNSoW website. Register early to reserve your place!

Duration: 21 February – 27 March 2012 (6 Tuesdays) 6-8 PM
Location: Of Swallows, 283 College Street, Upper Floor Seminar Room

“The sonnet . . . is not a form at all but a state of mind.” – William Carlos Williams

Throughout its 800-year history, the sonnet has seen periods of vogue and dormancy, but it just keeps bouncing back, and its contemporary allure to poets shows no signs of abating. Just why did the sonnet come into being, and what accounts for its remarkable longevity?

In this Sonnet Workshop, we’ll explore the enduring appeal of the sexy “little song.” Combining a historical overview of the sonnet with creative writing assignments, this course offers you the opportunity to experience the sonnet as a traditional and experimental network of possibilities.

Through a series of Reading/Writing sessions focused around various poetic models, we’ll deepen our appreciation of the sonnet’s evolution as well as generate our own sonnets, continuing the historical momentum of this ever-popular “state of mind.”

Instructor bio:
Camille Martin is the author of Sonnets (2010), Codes of Public Sleep (2007), and Sesame Kiosk (2001). Of Sonnets, Rae Armantrout observes that “in some ways, these poems are almost traditional,” yet “in these taut, fast-paced, self-aware poems, the lyric meets 21st-century paranoia and sparks fly.” Carol Dorf writes that Martin creates “a world where science and myth intersect,” a “world of a mind reflecting on itself, the natural and built environments, time, and language.” And Jordan Scott speaks of “the magnificence in these poems, a poetic magnetic, propelling you to turn the page.”

Martin has performed her work in over twenty-five cities in the United States, Canada, Ireland, the United Kingdom, and France. She holds a Ph.D. in English from Louisiana State University and an M.F.A. in Poetry from the University of New Orleans. She is a seasoned instructor of poetry and workshops in the community and at high schools and universities.


Camille Martin

The return of the rogue . . .

More posts arriving soon, including samples from poetry books that have taken off the top of my head lately.

Meanwhile, please have a look at my newly spruced-up website—it’s leaner and cleaner and easier to navigate:

http://www.camillemartin.ca

Enjoy the perusing. Comments welcome!

In other news, I recently completed a new collection of poems, “Looms.” I used the Toronto New School of Writing‘s Manuscript Midwives program and went through intensive and gratifying editing sessions with poet Phil Hall, who has an uncanny ability to figure out what you want to do and help you do it better. I’m excited about this new manuscript, which is getting encouraging feedback from poet friends who’ve read the manuscript and heard my readings from it, most recently at AvantGarden.

And onward to a new poetry manuscript with the working title “Cambrian Blues.”

Cheers!

 


 

Camille Martin