Category Archives: poetry workshop

How will you re-invent the sonnet?

One week left to enroll in my Sonnet Workshop at the Toronto New School of Writing. Click here to view course details on the TNSoW website.

And don’t worry, if you don’t want to write traditional sonnets, we’ll also

conceptualize
fantasize
destabilize
plagiarize
sexualize (un-bowdlerize)
Hooverize
Berriganize
zero-ize
parodize
phoneticize
blasonize (& anti-blasonize)
weave
cleave
deceive
pre-conceive
mis-conceive
beat
cheat
retreat (don’t tase me, Bard!)
boff
doff
scoff
dash off
fend off
bugger off
mace
erase
debase
disgrace
replace
deep space
upper case (or any case)

. . . and if you like, embrace

the sonnet (or what’s left of it)

Duration: 21 February – 27 March 2012 (6 Tuesdays) 6-8 PM
Location: Of Swallows, 283 College Street, Upper Floor Seminar Room

Click here for more information about the course and instructor bio at the TNSoW website.


Camille Martin

The sexy “little song”: Sonnet Workshop by Camille Martin

How did the sonnet get from Petrarch to Bervin?



How will you re-invent the sonnet?

Find out in my six-week workshop/class on the sonnet at the Toronto New School of Writing. I taught this course last year and was blown away by the class discussions and the poetry written by the participants.

Click here to view the course on the TNSoW website. Register early to reserve your place!

Duration: 21 February – 27 March 2012 (6 Tuesdays) 6-8 PM
Location: Of Swallows, 283 College Street, Upper Floor Seminar Room

“The sonnet . . . is not a form at all but a state of mind.” – William Carlos Williams

Throughout its 800-year history, the sonnet has seen periods of vogue and dormancy, but it just keeps bouncing back, and its contemporary allure to poets shows no signs of abating. Just why did the sonnet come into being, and what accounts for its remarkable longevity?

In this Sonnet Workshop, we’ll explore the enduring appeal of the sexy “little song.” Combining a historical overview of the sonnet with creative writing assignments, this course offers you the opportunity to experience the sonnet as a traditional and experimental network of possibilities.

Through a series of Reading/Writing sessions focused around various poetic models, we’ll deepen our appreciation of the sonnet’s evolution as well as generate our own sonnets, continuing the historical momentum of this ever-popular “state of mind.”

Instructor bio:
Camille Martin is the author of Sonnets (2010), Codes of Public Sleep (2007), and Sesame Kiosk (2001). Of Sonnets, Rae Armantrout observes that “in some ways, these poems are almost traditional,” yet “in these taut, fast-paced, self-aware poems, the lyric meets 21st-century paranoia and sparks fly.” Carol Dorf writes that Martin creates “a world where science and myth intersect,” a “world of a mind reflecting on itself, the natural and built environments, time, and language.” And Jordan Scott speaks of “the magnificence in these poems, a poetic magnetic, propelling you to turn the page.”

Martin has performed her work in over twenty-five cities in the United States, Canada, Ireland, the United Kingdom, and France. She holds a Ph.D. in English from Louisiana State University and an M.F.A. in Poetry from the University of New Orleans. She is a seasoned instructor of poetry and workshops in the community and at high schools and universities.


Camille Martin

Influencied!

photo: rob mclennan


I’ve been Influencied! Last Wednesday, Sonnets was the focus of Margaret Christakos’ Influency class at the University of Toronto’s School of Continuing Education. After Margaret’s warm-up introduction, students read reflections on the book and rob mclennan gave a talk about it (which can be read here). I read from the book (and from my manuscript “Looms”) and then there was a general discussion.

What a brilliant idea, this class! In a few weeks, I’ll be on the other side of the magnifying glass as I give a talk on Kaie Kellough’s Maple Leaf Rag. I’m especially looking forward to hearing Kaie again. I read with him in Montreal a couple of years ago—he’s a mind-blowing performer!

 


 

Camille Martin

Influency 10: A Toronto Poetry Salon (starts April 6!)

I’m excited that Margaret Christakos has invited me to participate in Influency 10: A Toronto Poetry Salon, a lecture-reading series at the University of Toronto School of Continuing Education.

It starts soon, so if you’re interested, click here to register through the University of Toronto School of Continuing Education.

Here’s the schedule:

April 6 opening evening (For MC and registrants)

April 13 rob mcclennan speaking on Camille Martin’s Sonnets

April 20 Daniel Scott Tysdal speaking on Larissa Lai’s Automaton Biographies

April 27 Larissa Lai speaking on Mark Truscott’s Nature

May 4 Mark Truscott on Daniel Scott Tysdal’s The Mourner’s Book of Albums

May 11 Camille Martin speaking on Kaie Kellough’s Maple Leaf Rag

May 18 Kaie Kellough speaking on rob mcclennan’s Wild Horses

May 25
A combined evening at a venue not on U of T campus, also open to public (for a door fee).
Rachel Zolf on Erin Moure’s Pillage Laud AND Erin Moure on Rachel Zolf’s Neighbour Procedure

No class June 1

June 8 Final potluck and Student Intertexts on Influency 9 authors and books (important! please attend!)

Classes are facilitated by Margaret Christakos.

Influency 10: A Toronto Poetry Salon
April 6- June 8 2011 (no class June 1)
Wednesday evenings, 7-9:30 pm (we begin promptly at 7:05 and make every effort to end by 9:30; some classes may extend to 10pm).

For readers and writers alike. A powerful way to reconnect with poetry, to build bridges into the contemporary poetry scene, and to deepen critical engagement with poetry. Many writers and literature buffs attend this course; the class is equally welcoming to people with a beginner’s level of experience with reading poetry. Adults from 18-1000 years welcome. Approximately half the registrants in any given session have taken previous sessions of the class; and each session we welcome newcomers. The course may count towards a certificate in creative writing, or be taken for pleasure. Registrants compose readerly critical responses to books weekly, and write a final “Intertext” reflecting on two or more of the books studied, for presentation. Registrants also take turns in small groups introducing guests and bringing along snacks and non-alcoholic beverages to produce a congenial social environment for each evening.

Influency: A Toronto Poetry Salon has run twice annually from Fall 2006. In each session, 8 accomplished poets working in distinctive styles will appear as both guest readers and peer critics in this unique lecture-reading series hosted by Margaret Christakos. Each poet’s critique of a colleague’s work will be followed with a reading by the poet under discussion. A group discussion led by Christakos will follow. Students will accumulate critical vocabulary to discuss more fluently the divergences of approach, motive, process and product typical of Toronto’s multitraditional literary culture. The 8-book package under discussion will be available in class for $130. Register a week prior to course beginning if possible to facilitate smooth running of a complex course! Note this spring’s session is 9 in-class meetings, with an extended evening on May 25 at an off-campus location.

The course has also spawned a fledgling online magazine called http://www.influencysalon.ca; please visit to see some of the essays and responses presented at some of our earlier classes.

* * *

For more info and registration, click here to visit the website of the University of Toronto School of Continuing Studies.

Location: Rm 108, St George Campus Health Sciences Building, University of Toronto (one block west of University, south side of College St. Queen’s Park subway station at College and University)

Course number 1777 – 010
Register at http://www.learn.utoronto.ca
University of Toronto School of Continuing Studies Creative Writing program. No prerequisite.

Course $249 plus $130 book fee (8 poetry books). Fee is paid at first class by personal cheque or cash.

 


 

Camille Martin

Sonnet Workshop to begin Tuesday, March 15!

My “sonnet shakedown” workshop will run from March 15 to April 12.

Join us as we explore the kaleidoscopic history of the sonnet, from Petrarchan to Oulipian, from blazon to flarf and beyond. We’ll also write our own sonnets – using, throwing out, and writing our own rules of engagement with the “little song.” The sonnet is dead. Long live the sonnet!

Seating is limited, but there are still openings in the class—click here to sign up at the Toronto New School of Writing (TNSOW) website.

Here’s the info:

Sonnet Workshop (Mar 15 – Apr 12, 2011)
Instructor: Camille Martin


Duration: 5 weeks (Tuesdays), 15 March – 12 April 2011, 6:30 – 8:30pm

Capacity: 12 students

Combining a historical overview of the sonnet form (or as Hollo once called it, the sonnet state of mind) with creative writing assignments, this course offers students the opportunity to experience the sonnet as a traditional and experimental network of possibilities.

Through a series of Reading/Writing sessions focused around various “sonnet-inspired models,” participants will deepen their appreciation of the evolution of the sonnet across history as well as generate their own sonnets, investigating relationships between the rubrics of tradition and form and content and meaning, while continuing the momentum of the “little song’s” enduring popularity.

Required Texts: Sonnets by Camille Martin, as well as a selection of readings that will be provided.

Click here to register for the class at the TNSOW website.

 


 

Camille Martin

Sonnet Workshop at TNSOW!

Less than two weeks before my five-week Sonnet Workshop begins! Here’s the info:

Sonnet Workshop (Mar 15 – Apr 12, 2011)
Instructor: Camille Martin

Duration: 5 weeks (Tuesdays), 15 March – 12 April 2011, 6:30 – 8:30pm

Capacity: 12 students

Combining a historical overview of the sonnet form (or as Anselm Hollo once called it, the sonnet state of mind) with creative writing assignments, this course offers students the opportunity to experience the sonnet as a traditional and experimental network of possibilities.

Through a series of Reading/Writing sessions focused around various “sonnet-inspired models,” participants will deepen their appreciation of the evolution of the sonnet across history as well as generate their own sonnets, investigating relationships between the rubrics of tradition and form and content and meaning, while continuing the momentum of the “little song’s” enduring popularity.

Required Texts: Sonnets by Camille Martin, as well as a selection of readings that will be provided.

Click here to register for the class at the TNSOW website.

 


 

Camille Martin

New upcoming events – poetry and collage

Just uploaded some new information into my Upcoming Events page:


COLLAGE EXHIBIT

Sunday, December 12 – Thursday, December 23, 2010
Toronto: Arta Gallery at The Distillery / 55 Mill Street
Three limited-edition collage prints on exhibit and available for purchase, such as this one:

The Birth of Newton


POETRY WORKSHOP

Five Tuesdays: March 15 – April 12, 2011, 6:30 – 8:30 pm
Toronto New School of Writing
click here for details & registration


POETRY READING

Wednesday, April 20, 2011
Toronto: The Pivot at The Press Club / 850 Dundas Street West


COLLAGE EXHIBIT

June 2011
Toronto Public Library, Woodside Square Branch
Twelve limited-edition collage prints on exhibit and available for purchase