Category Archives: photography

Experiment #61

(Photo: Camille Martin)

(Photo: Camille Martin)


a
tugboat
horn
lows
over
the
Mississippi

*

in
Paris,
a
cat
prowls
on
a
balcony,
seeking
an
open
window

 


 


Camille Martin
http://www.camillemartin.ca

a pinch of salt

(Photo: Camille Martin)

(Photo: Camille Martin)

 

                  dark corner, bare bulb, square
                  one thought. hearth with care-
                  ful ashes. rocker, unoccupied.
                  embroidered shrine: marriage’s framed
                  zygotes. cow-eyed portraits.
                  all-season ancestors,
                  carpet. everlast bricks
                  irrelevant. modern kitchen defunct.
                  growl morphs into rattle. a thimble
                  of ouch matches brown
                  accessories. whatever works.
                  a little string, a little dust.
                  take a pinch of salt
                  and measure it.

 

                  Camille Martin
                  http://www.camillemartin.ca

Continents of Foam: Elisée Reclus’ Analogous Phenomena

 

Photo: Camille Martin

Photo: Camille Martin

 

    One of my favourite retreats on the ship was the far end of the stern behind the chains of the rudder. Leaning over the side, I gazed at the wake for hours on end. The waves came one after the other to lure my vision into their spirals, and to look away required a strong effort. The curls, the circular ripples, the bedlam, the eddying wavelets, the dances of the foamy trails, the struggles between the waves that reunited behind the keel, clutching and writhing, the formation of swift funnels trailing clusters of transparent bubbles in their vortex—all these little dramas of drop and foam held my attention with an irresistible fascination. Beyond the swift and twisting line of the wake, large surfaces of foam passed by, thrown aside to the right and left by the prow of the ship. Islands, archipelagos, and continents coalesced, broke apart, diminished, dissolved and vanished.
    In reality, there is not a great difference, geologically speaking, between these continents of foam and the continents of land that we inhabit. Small or large, all phenomena are analogous: our continents also will dissolve and reform elsewhere, like clusters of white bubbles carried along by the wake of the vessel.

—Elisée Reclus

 

Map of Mississippi River Delta, from Reclus' Voyage to New Orleans

Map of Mississippi River Delta, from Reclus' Voyage to New Orleans

 


The above passage is from Voyage to New Orleans by French anarchist and geographer Elisée Reclus (1830-1905). In 1851, Reclus was exiled from France because of his protest of Louis Napoléon Bonaparte’s coup d’état. He traveled to Louisiana and in 1855 published an account of his voyage through the Caribbean and up the Mississippi delta, and his stay of several years in the city of New Orleans. His essay is a remarkable account, not only of geographical observations, but also of life in antebellum New Orleans from the perspective of an anarchist thinker. He astutely observed the political and religious corruption in the city and writes a moving condemnation of slavery after witnessing a slave auction.

I was drawn to this three-part gem because of the rich, poetic language of the young Reclus and because of his many astute observations about the natural world and human behaviour. In the summer of 1997, I translated it into English, and after polishing it with John P. Clark, we published it in 1999 as Voyage to New Orleans: Anarchist Impressions of the Old South.

Selections from this translation were recently reprinted in Harald Bauder and Salvatore Engel-Di Mauro’s Critical Geographies: A Collection of Readings (Kelowna, Canada: Praxis (e)Press, 2008).

Here’s the link to (e)Press’ reprint:

http://www.praxis-epress.org/CGR/9-Reclus.pdf

 

Camille Martin
http://www.camillemartin.ca

The Prince of Orange

(Photo: Camille Martin)

(Photo: Camille Martin)

 

                Now. Tell me how much I am to respect
                the Prince of Orange. In that fine-spun prose
                that fine-spun rosy prose.

                How sheen it is! (Talk of dopey Raggedy Ann
                hanging from a peg is talk
                stained purple from sour grapes.

                So they say.) What a fine ring
                (or is it twang?) the word “frivolous”
                possesseth. Yea.

                About dead Arthur. Who knows but I
                that he loved licorice and
                marshmallows?

                Not you swell fellows and girls no no
                Nor you swell girls and fellows.

 

                Gilbert Sorrentino, The Orangery, p. 57

 

 

                Camille Martin
                http://www.camillemartin.ca

When Houses Were Alive

(Photo: Camille Martin)

(Photo: Camille Martin)

 

When Houses Were Alive

    One night a house suddenly rose up from the ground and went flying through the air. It was dark, & it is said that a swishing, rushing noise was heard as it flew through the air. The house had not yet reached the end of its road when the people inside begged it to stop. So the house stopped.
    They had no blubber when they stopped. So they took soft, freshly drifted snow & put it in their lamps & it burned.
    They had come down at a village. A man came to their house & said:
    Look, they are burning snow in their lamps. Snow can burn.
    But the moment these words were uttered, they lamp went out.

 

Inugpasugjuk. “Eskimo Prose Poems.” Technicians of the Sacred. Ed. Jerome Rothenberg. Garden City, NY: Anchor Books, 1969.

 

 

Camille Martin
http://www.camillemartin.ca

the air blanked out. it had been seen on its mind.

BEAN (photo: Camille Martin)

BEAN (photo: Camille Martin)

 

Do the Play Thing: Signs of Rita

In September 2005, I found myself unexpectedly living in Lafayette, Louisiana, where my parents live, about 130 miles west of New Orleans— enough distance to escape the wrath of Hurricane Katrina. But after Katrina came Rita, as if the Gulf coast hadn’t suffered enough. Lafayette didn’t receive the brunt of the hurricane’s force, but it did experience high winds.

One hot afternoon driving in heavy traffic, inching along Kaliste Saloom Road, I took these pictures of billboards whose layers had been peeled away by the gusts of Rita. The power of hurricanes evokes in my mind images of uprooted trees and roof shingles blown off houses—and worse. It seemed odd to see this more subtle manifestation of their power.

signs of rita (1)

signs of rita (2)

signs of rita (3)

Camille Martin
http://www.camillemartin.ca

If the needle is a poem, then what is the fang? 

needle

snake fang

Images: Small Worlds Close Up by Lisa Grillone and Joseph Gennaro.

Camille Martin
http://www.camillemartin.ca

body, a mind stitching shorn shadows

public shadows

courts shadows

(Photos: Camille Martin)

 

Camille Martin
http://www.camillemartin.ca

“why shouldn’t an idee fixe be infinite?” —Rae Armantrout

the crows don't scare

New Orleans window

Photos: Camille Martin

 

Camille Martin
http://www.camillemartin.ca