Tag Archives: bill bissett

The Robert Zend Website

BANNER RZ WEBSITE 2
          I’m excited to announce (with the help of colourized Zend doodles) that Natalie Zend has created The Robert Zend Website. It’s a beautiful tribute to her father and a useful resource for anyone wishing to enjoy and purchase his books and art, and to learn more about his work. Here’s a screenshot of the home page with a link to the site:
ROBERT ZEND WEBSITE 250 W          Since I started writing about Zend, people have emailed me asking where they can find his work, as many titles are scarce and out-of-print.
          The great news is that most of these are now readily available for purchase on The Robert Zend Website, for as long as inventory lasts. The titles include books such as Daymares, Nicolette, and From Zero to One. And of special note to aficionados of typewriter art and concrete poetry, Zend’s portfolio of sixteen “typescapes” entitled Arbormundi (1982), published by bill bissett’s legendary blewointment press, is now available.
          The website is already a terrific repository of visual art and audiofiles. In addition, both published and hitherto unpublished materials, including excerpts from Zend’s magnum opus, Oāb, are available on the site by voluntary donation. And Natalie reports that much more will be uploaded over the coming months.
          Soon after I began publishing Robert Zend: Poet without Borders, poet Mark Truscott wrote me to express his support of my project, saying that we need to take better care of our literary forebears. The website that Natalie Zend has created does just that, and helps to ensure that her father’s legacy lives on.
          Please have a look, enjoy his creative effervescence, consider purchasing one or more titles and offering a donation for the free materials, and leave a comment in the guest registry.
          Do you know any Zendophiles-in-waiting? Invite them to check out the website too!
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Camille Martin

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Visual poetry exhibit opens April 1

Vispo Exhibit in Cobourg, Ontario:
TEXTual ARTivity

Location: The Human Bean Coffee Shop
Duration: April 2014
Opening reception: April 1, 7:30 pm, with special guest Bill Bissett

          I continue to be amazed at what a dedicated group of poets can do to put their town — Cobourg, Ontario, about an hour east of Toronto — on the poetry map in a big way. The Poetry in Cobourg Spaces committee (Ted Amsden, Wally Keeler, Katriona Dean, and James Pickersgill) came up with the brilliant idea to host TEXTual ARTivity, a visual poetry exhibition during National Poetry Month at The Human Bean, a coffeehouse in downtown Cobourg. The list of participants includes Canadian and American visual poets, some active since the 1960s.
          The exibition will feature one of my ransom note collages (shown in the image below) as well as work by many others:

Angela Rawlings, Derek Beaulieu, Robert Zend, Bill Bissett, Helen Hajnoczky, Lindsay Cahill, Mark Laliberte, Jenny Sampirisi, Eric Schmaltz, Angela Szczepaniak, Gregory Betts & Neil Hennessy, Pearl Pirie, Eric Winter, Jessica Smith, Ted Amsden, Sharon Harris, Cliff Bell-Smith, Mary McKenzie, Wally Keeler, Katriona Dean, Gary Barwin, Judith Copithorne, michael j. casteels, Alixandra Bamford, Em Lawrence and Dan Waber

Click the image below for a generous article about the exhibit by Cecilia Nasmith in Northumberland Today:
COBOURG VISPO SHOW          Zendophiles will be interested to know that Robert Zend’s typescape Peapoteacock will be on exhibit:

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Robert Zend, who is legendary in the field, will be represented by a playful piece his widow supplied, in which his words form intertwining pictures of a peacock and a teapot.

 
 


Camille Martin

Robert Zend (1929-1985): Poet without Borders – Preface with Portraits

TITLE WITH BUSINESS CARD IMAGE AND BYLINE

Preface with Portraits

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All images of work by Robert Zend are copyright © Janine Zend, all rights reserved, reproduced with permission from Janine Zend. Family photographs are reproduced with permission from Janine Zend, Natalie Zend, and Ibi Gabori.

     Welcome to Robert Zend: Poet without Borders, my illustrated exploration of the life and work of the Hungarian-Canadian avant-garde writer and artist. The slide show above consists of photographs from Zend’s family and creative life as well as artistic portraits and self-portraits.
      This project is the result of several months of research, interviews, and writing. It has become very dear to me, and I hope that you will enjoy the results. Over the next few weeks, I’m going to post installments, including biographical sections about Zend’s life in Hungary and Canada, and sections about his Hungarian literary roots, Canadian cross-pollination, and international affinities and influences.
      I’ve had the pleasure and honour of speaking with members of the Zend family (Janine Zend, Natalie Zend, and Ibi Gabori) and of viewing texts, artworks, and other artifacts and memorabilia in the private collection of Janine Zend, for which I offer my deepest gratitude. I’ve also had the opportunity to research the extensive Zend fonds at the University of Toronto Library’s Media Commons. I’d like to thank curators Rachel Beattie and Brock Silversides, who had to put up with many a yelp of joy as I found such priceless artifacts as a photograph of Zend playing chess with the great French mime artist Marcel Marceau — on a chess set of Zend’s own design. These conversations and experiences have greatly enriched my understanding of the life, mind, and work of Robert Zend, for which I am very grateful.
     As I worked on this project, I became acutely aware of my limitation of not knowing the Hungarian language. There are works by Zend in Hungarian that are as yet untranslated into English, and many documents in the Zend fonds that are written only in Hungarian. Nonetheless, I am fortunate that so much was either written by Zend in English or translated into English by him, often with the assistance of John Robert Colombo and others. I sincerely apologize in advance for any errors or omissions in what follows, and encourage correspondence from anyone with greater knowledge on the subject than I. If what I have written stimulates interest in Zend’s life and work, then I will consider my primary goal to have been accomplished.
     The next installment, which will appear on this blog in a few days, will feature the premiere of Linelife, a previously unpublished visual work by Zend to be presented in digitalized form as a short animated film.

If you’d like to receive notification of these installments on Robert Zend, please use the email subscription feature to the upper right. And please kindly spread the word to anyone who might be interested. Your comments and feedback are most welcome.

LINELIFE DIVISION

Next Installment: Part 1.
Linelife: Premiere
of a Rediscovered Treasure


LINELIFE DIVISION

Acknowledgements

I am grateful for the kind assistance and generosity of the following:

The family of Robert Zend: Janine Zend, Natalie Zend, and Ibi Gabori

Rachel Beattie and Brock Silverside, curators of the Zend fonds at Media Commons, University of Toronto Library

Edric Mesmer, Librarian at the University at Buffalo’s Poetry Collection and Curator of The Center for Marginalia, and the other wonderful librarians of The Poetry Collection for their research assistance

Brent Cehan of the Language and Literature division of the Toronto Reference Library

The Librarians in the Special Arts Room Stacks at the Toronto Reference Library

The Librarians at Reference and Research Services and at the Petro Jacyk Central and East European Resource Centre, Robarts Library, University of Toronto Libraries

Susanne Marshall (former Literary Editor for The Canadian Encyclopedia)

Irving Brown

Robert Sward

bill bissett

Jiří Novák


Camille Martin