New poems in Posit Magazine: “Current, Unique” and “Vectors”

Two new poems have been published in Posit Magazine:
“Current, Unique” and “Vectors” (a series)

Click on the image below to have a look:

POSIT MAGAZINE

I’m in excellent company with the other contributors, so please check out the whole current issue:

Claudia Alvarez
Michael Basinski
Iain Britton
Andrew Cantrell
Charles Dellschau
Elaine Equi
Dennis Etzel Jr.
Howie Good
Nicholas Grider
Crag Hill
Dimitri Kozyrev
Krystal Languell
Joe Milazzo
Julie Peppito
Ken Taylor
Louisa Waber

Many thanks to editor Susan Lewis!


Camille Martin

Review of Hanne Bramness’ No Film in the Camera

         My review of No Film in the Camera, a collection of ekphrastic poems by Norwegian poet Hanne Bramness, was just published by Poets@Work. Many thanks to editor Liv Lansdale.
         Please click the image below to see the review:

POETSATWORK


Camille Martin

Coldfront Magazine: A Robert Zend Sampler

          I’m delighted to announce that ten visual poetry pieces by Robert Zend have been published in Coldfront Magazine. Many thanks to Nico Vassilakis for welcoming the idea to showcase some of Zend’s typewriter art and concrete poetry, and also to Janine Zend and Natalie Zend.
          Click on the image below to see the sampler. Enjoy!

ROBERT ZEND SAMPLER


Camille Martin

Not Stieglitz’s “Equivalents,” but . . .

. . . here are some cloud formations I took from my rooftop a few days ago:

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Camille Martin

Seven questions for Camille Martin (Touch the Donkey supplement)

          As if rob mclennan didn’t have enough to do following the birth of his and Christine’s lovely Rose!
        Using his super-human multi-tasking powers, he interviewed me in Touch the Donkey Supplement #2. We talked about riffing on Shakespeare and connecting poetry and music.
        Click the image below to Touch the Donkey:

TOUCH THE DONKEY


Camille Martin

Aerial photos between Kelowna and Vancouver

          These photos originally appeared here in January 2014, but I temporarily removed them because they interrupted the flow of my series on Robert Zend. So I re-post them here.
          The photos were taken following a reading for the UBC-Okanagan Visiting Authors Series and a one-week retreat that they kindly made possible. originally I had been scheduled to fly from Kelowna to Edmonton to Toronto, but that flight was cancelled due to fog in the Kelowna valley. My “rescue” flight took me from Kelowna to Vancouver, and I’m so glad it did because the scenery was spectacular.
          Here are a few shots I took from the plane:

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Camille Martin

“pugilist grandmother” and other poems in Fell Swoop: The All-Bohemian Revue

Fell Swoop: The All-Bohemian Revue just published five short-short poems of mine. Mercy to Joel Dailey.

FELL SWOOP 3

PS Fell Swoop is a print-only magazine published in New Orleans by Joel Dailey. To subscribe, send a note to Joel on Facebook. It’s worth every Mardi Gras doubloon you can scrounge up.


Camille Martin

Seven Artichokes in MadHat

        I’m happy as the Cheshire Cat to announce the publication of seven little “artichoke” poems in MadHat. Thanks to editor Clare Martin, who nudged me to send some work.
          Please click the link below to arrive at MadHat‘s artichoke tea party:

MADHAT

PS Apologies for the rash of recent posts announcing magazine publications — after many months devoted to Robert Zend, I have a little catching up to do. There’s one more commercial, after which I promise to return to my regularly scheduled program of essays, reviews, interviews, and whatnot.


Camille Martin

“Greyish Elegy” and “Blind Engine” in The Rusty Toque

          I’m a bit late in announcing on Rogue Embryo the publication of two poems in The Rusty Toque — but it’s “never better never than late,” as I always say, when I can figure out the syntax.
          Many thanks to the editors at The Rusty Toque!
          Click the image below to go to the poems:

RUSTY TOQUE


Camille Martin

“More Jars Than Lids” in Boog City

“More Jars Than Lids” is in issue 78 of Boog City. I’m in good company with Marisa Crawford, Jean Donnelly, Fitz Fitzgerald, and Elizabeth Robinson. Thank you, Ed. Buck Downs!

Click the image below and go to p. 7 (for an enlarged view — so you can actually read the thing — click the white rectangular icon lower right):

BOOG CITY


Camille Martin

“Smacked by demos”: Artichokes in Talisman

          I’m excited to have poems from R Is the Artichoke of Rose in Talisman: A Journal of Contemporary Poetry and Poetics. Many thanks to editor Lisa Bourbeau!
          The poems are in a section entitled The Occupation: The First of Three Major Selections of Works by and about Women Writers Around the World. Please check it out — it’s a fantastic issue with lots and lots of goodies!
          Click the image below to link to the journal:

TALISMAN JOURNAL


Camille Martin

Of jonquils and grommets: Artichokes in Cricket

          Sublime summer, everyone! (Or wondrous wintertide for those below the Tropic of Capricorn.)
          Some posts got pre-empted by my series on Robert Zend, after which I took a hiatus from the blog for a couple of months. So I’m cranking it up again like an old Victrola.
* * * * *
          Five minimalist poems from R Is the Artichoke of Rose are in the latest issue of Cricket Online Review. Mwah! to the editors.
          Click on the image below for the first poem, then “advance” for the rest:

COR IMAGE


Camille Martin

Premiere issue of Touch the Donkey

          Three poems of mine (“Page Dust for Will”) are in the premiere issue (print!) of Touch the Donkey, published by rob mclennan in Ottawa. I’m in good company with Eric Baus, Hailey Higdon, rob mclennan, Norma Cole, Elizabeth Robinson, Rachel Moritz, Gil McElroy and Pattie McCarthy.
          Click the image below to get to the magazine’s website and . . . well, you know:

TOUCH THE DONKEY


Camille Martin

“My Most Beautiful Poems”: a tribute to Robert Zend at Cobourg’s TEXTual ARTivity

          The April 1 opening of TEXTual ARTivity, a visual poetry exhibition at The Human Bean coffee shop in Cobourg, Ontario, featured readings by poets in attendance. Wally Keeler, one of the organizers, was good enough to videotape and upload the readings to YouTube.
          Below is my reading, in which I present Robert Zend’s exhibited typescape, “Peapoteacock” and read “My Most Beautiful Poems,” from Zend’s book From Zero to One:

PS TEXTual ARTivity will continue as an annual event in Cobourg, and that’s great news!


Camille Martin

Shadowing Duchamp’s Readymades (photos)

Shadows from the Duchamp room at the Ottawa Art Gallery:

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Camille Martin

Of Lazyboys and bagatelles: Sugar Beach – my new chap from Above/Ground Press

FRAGONARD JPG          Sugar Beach is my second chap from rob mclennan’s Above/Ground Press (the first was 2011’s If Leaf, Then Arpeggio). This one’s a two-fer — it contains minimalist poems from my manuscript R Is the Artichoke of Rose as well as material from the cosmic peregrinations of Blueshift Road, a work in progress.
          The title poem, “Sugar Beach,” gets its name from a white sand beach on Lake Ontario a couple of blocks from my home, with a view of the Redpath sugar plant; the cover’s Fragonard painting, “The Swing,” is a link in the poem’s chain of thoughts, along with a Smith & Wesson, a trapeze artist, and a black pigeon.
          Click on the images or here to order a copy from Above/Ground Press. Reviews of the chap are welcome.
          Below is a sample poem from the collection, “Endless Regression of Heavens,” first published by Similar Peaks magazine:

QUOTATION MARKS 7

Endless Regression of Heavens

Glaciers dribble foreign rocks
as dawn releases chicory blue.
Its fickle hues waltz round equator,
spool, top, dizzy moon, gainly

as the patter of millipedes ruffling
toward a country with no flag
but fields of chicory blue. Horizon,
chromatic with moments. What

of the next and the next, plunging
into myth evolving in the deeps?
Haunting the deeps while manning
the crow’s nest? With each finite

duration we arrive closer by half
to a famished constellation,
blinking beast perpetually devouring
a platter of chicory blue.

SUGAR BEACH 4


Camille Martin

Sky on sky – photos from the train

Window views reflecting scenes from the opposite windows, between Ottawa and Toronto, returning from a reading for the Tree Series:

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Camille Martin

Photos & report: Quill Puddle Release Party (at Detroit’s historic Scarab Club)

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* Unfortunately, not all of my photographs came out – my apologies to readers not represented in the slide show above.

          Detroit’s vibrant, grass-roots poetry community continues to bring the best of poetry from Detroit and beyond through series like the Woodward Line, held at the historic Scarab Club and organized by Kim Hunter, James Hart III, and Frances Barber. The lower floor houses an art gallery, so that poets and audience are surrounded by a compelling visual feast, which heightens the effect of the poetry.
QUILL PUDDLE 5 AND 6          Detroit is also home to Quill Puddle, a hand-made poetry magazine edited by James Hart III and Frances Barber. The evening of April 18 marked the launch of two double-issues of Quill Puddle (3-4 and 5-6), featuring poets Will Alexander, Kim Hunter, Rob Lipton, Ken Mikolowski, Christine Monhollen, Julie Patton, Chris Tysh, Dennis Teichman, Matvei Yankelevich, Barbara Henning, and myself.

          Following a mesmerizing set by The Doll Hairs (James Hart III, guitar and vocals, and Frances Barber, vocals), Julie Patton gave an extended and stunning performance, accompanied by Will Alexander (keyboard), James Hart II (percussion), and Paul Van Curen (guitar). It was magical. I hope the recording came out well, because it would be a shame not to be able to revisit that dynamic performance.
          The next day, I had the pleasure of visiting the Eastern Market, a large market area composed of many buildings, one of which is Salt & Cedar, a letterpress studio. New York poet and co-publisher of Ugly Duckling Presse Matvei Yankelevich arranged to convert the letterpress printing space into a bookstore and poetry reading venue for three months. It was a delight to meet and get to know Matvei, who is devoting his time in Detroit to enriching the already rich poetry scene there.
          Thanks to Matvei, Salt & Cedar is (for the time being, at least) bookstore heaven, stocked by titles from Ugly Duckling Presse, Small Press Distribution, and others, including several Canadian titles – I noticed books by Sina Queyras and Nicole Brossard, among others. I purchased books by Clark Coolidge (88 Sonnets), Tomaz Salamun (On the Tracks of Wild Game – part of Matvei’s Eastern European Series within UDP), Swedish poet Fredrik Nyberg (A Different Practice), Matvei Yankelevich (Alpha Donuts), and Russian Absurdist Alexander Vvedensky (An Invitation for Me to Think). The last title was suggested to me by Matvei when I told him of my affinity for the work of Daniil Kharms, another Russian absurdist who, along with Vvedensky, tragically died in their thirties as a result of Stalin’s harsh persecution of writers.
          People, Detroit is a happening mecca for poets and an open community for poetry in all its manifestations, written and performed!


Camille Martin

“Velleity” is on the National Poetry Month calendar!

“Velleity” is on the National Poetry Month calendar . . . it’s “about” logs and peaches and Ma & Pa Kettle. Click below to link to the poem:
NAPOMO POEM
Thanks, Amanda Earl and Angel House Press!


Camille Martin

Quill Puddle Anthology – release party in Detroit!

Friday, April 18 – 7:00 p.m. at the Scarab Club in Detroit

Readings with: Will Alexander, Kim Hunter, Rob Lipton, Ken Mikolowski, Christine Monhollen, Julie Patton, Dennis Teichman, Matvei Yankelevich, Barbara Henning, Camille Martin

and Musical Performances by the Doll Hairs & Julie Patton

QUILL PUDDLE

SCARAB CLUB DETROIT


Camille Martin