“At first I was adrift . . .”: Camille Martin’s LOOMS

Sarah Sarai wrote a terrific response to Looms:

SARA SARAI REVIEW

You can get a copy of Looms at your favourite bookstore or through SPD, Shearsman Books, The Book Depository, Amazon.ca, and Amazon.com.


Camille Martin

Minimalist poems in the new Otoliths

Twelve short poems of mine inspired by word etymologies were just published in the new issue of Otoliths, a poetry magazine based in Australia. They are from a book-length manuscript entitled R Is the Artichoke of Rose. Click below to have a look:

OTOLITHS RESIZED

There’s a plethora of stunning poetic and visual work in this issue. Check out the table of contents. Thanks to Mark Young, publisher of Otoliths!


Camille Martin

Photos: Adam Seelig, Jim Johnstone, and Camille Martin at the Art Bar (host: Josh Smith)

Here are some photos from my Toronto debut of Looms at the Art Bar. Thanks to our engaging host, Josh Smith; to my wonderful co-readers, Jim Johnstone and Adam Seelig; to Q-Space for the warm and inviting venue; and to the Art Bar Series organizers for making the reading happen.

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Camille Martin

Jim Johnstone | Adam Seelig | Camille Martin at the Art Bar (Toronto), Tuesday, April 9

8 pm, Tuesday, April 9, 2013
Q Space / 382 College Street (between Spadina & Bathurst)

After readings in Cobourg, Vancouver, Montreal, Detroit, Columbus, and Lafayette to celebrate the publication of LOOMS, I’m bringin’ it home to Toronto at the ART BAR on Thursday, April 9. My superb co-readers are playwright and poet Adam Seelig (EVERY DAY IN THE MORNING (SLOW)) and poet Jim Johnstone (PATTERNICITY)!

Click here for details at the Facebook invitation:
ART BAR READING


Camille Martin

Photos: Oana Avasilichioaei and Camille Martin at Argo Bookshop, Montreal (Bonus: Zen Snowcat)

          Despite a freak mid-spring snowstorm, diehard Montreal poetry lovers trudged over to Argo Bookshop to hear Oana Avasilichioaei and me read from our recently-released collections: Oana from We, Beasts and me from Looms.
          Below are some photos from the reading, which was watched over by muses Kerouac and Whitman.
          There’s also a photo of Zen Snowcat, which I sculpted in my hotel room and promised to send any who braved the snowdrifts to attend. Zen Snowcat says: “Each snowflake falls in the right place.” No complaints.
          Many thanks to Jean-Pierre Karwacki of Argo Bookshop for hosting the reading and to Erin Moure for the photographs of me in the slideshow below.
          And for any Montrealers unable to attend the reading, We, Beasts and Looms are both available for purchase at Argo Bookshop.

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Camille Martin

Reflections on a Bus (photographs)

          Whenever I’m on a train or bus, I soon become aware of the interplay of scenery with layers of window reflections. It creates a collage of multiple illusions. During my recent trip from Toronto to Montreal on the upper level of a double-decker bus, I photographed some of these reflections.
          If you enjoy the slide show below, have a look at a different kind of bus reflection in my post “The Bus Driver’s Hands.”

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Camille Martin

My Vancouver: Book Heaven

          Borges envisioned paradise as a library, and during my recent brief visit to Vancouver, I spent many happy hours in two very different nirvanas for bibliophiles: the Central branch of the Vancouver Public Library and MacLeod’s Books.
          For me, one of the great strengths of the Central Library is the wonderful collection of Canadian and American poetry. The other is the magnificent architecture, whose curved outer shell features study tables offering views on two sides: the library’s interior and the shiny, wet streets of Vancouver with their endless parades of colourful umbrellas . . .

VPL 1

. . . or, if you prefer, the enclosed concourse of shops at the library’s entrance:

VPL 2

By contrast to the Central library’s showy architecture and bright interior that opens itself to the world is a more introverted kind of book heaven: MacLeod’s Books.

MACLEODS 1

The interior is a glorious jumble of overflowing boxes, precarious piles of books, and shelves that are more often than not double-stacked. The poetry is in the basement, womb-like with its narrow and claustrophobic, over-stuffed aisles:

MACLEODS 2

          Fortunately, I’m not claustrophobic, and part of the pleasure of MacLeod’s is the treasure hunt, the possibility that at the bottom of a pile or behind that first layer of shelved books is the prize that will take a place of honour among the equally messy heaps of poetry next to my bed.
          The photograph below was taken by a young woman with whom I’d struck up a conversation. She was looking for a book of poems by Anna Akhmatova. By chance, I turned to the shelf behind me and there it was: a beautiful, hard-cover copy of the complete poems of Akhmatova. She looked so happy when I handed it to her, and in return, she took a photograph of me in paradise.

MACLEODS 3


Camille Martin